Koraly Dimitriadis will be the featured reader Thursday, April 9, 2020 7:15 – 9:00 p.m. on Zoom. Contact firstname.lastname@example.org for meeting information.
Koraly Dimitriadis is a Cypriot-Australian writer and actor. She is the author of the Australian poetry bestseller Love and F–k Poems and the recent Just Give Me The Pills, which together form the basis for her theatre show “Saying The Wrong Things”. Koraly also makes short films of her poems. She is a freelance opinion writer and has also been published in The Washington Post. Koraly was awarded the UNESCO City of Literature Residency in Krakow in 2019 to work on her debut fiction novel, Divided Island. Much of her work has to do with cultural and religious repression. www.koralydimitriadis.com
CH: What first drew you to writing? When did you begin to think of yourself as a writer?
KD: I loved to write when I was in school, but because of my migrant upbringing, studying art was not an option and was considered the pastime of the lazy. So I became a computer programmer, however after the birth of my daughter, the creativity I had inside me exploded out as I questioned my life choices and what kind of role model I wanted to be for her. Writing then became a tool for survival, as I realized I was living a life others wanted for me and not what I wanted. I used my writing to help emancipate myself from my culture, my marriage and my religion, and to discover who I was and what I wanted from life.
CH: In addition to having published two collections of poetry, I know you recently had a UNESCO City of Literature Residency in Krakow to work on your debut novel, Divided Island. Do you have a primary identity as a writer? How would you describe yourself?
KD: It’s a really interested question and one I grappled with, as I am also an actor and my I make films and theatre of my poetry. I write opinion articles and I am deeply drawn to writing longer form books, particularly fiction. So I do a lot of different things. I call myself a writer and actor but I do think I spread myself too thin and I am in the process of trying to narrow down the things that I can do so I can pay more attention to what I really want to do. It’s a constant battle for me.
CH: What was your UNESCO City of Literature Residency like?
KD: It was really a one-in-a-lifetime experience, and in the current pandemic climate, I am so thankful for the travel experiences I have had through my career, as a large part of my work involves touring and connecting with people. I was given a beautiful room at Villa Decius which was in this very big garden, and I got to work on Divided Island, while also being involved in the Milos Literary Festival and performing poetry. Krakow is a beautiful city with a rich culture and I look forward to returning one day. I have also had the opportunity to have several poems of mine translated and published in Polish, and I also made a poetry video at Villa Decius of my poem, Shh, woman, ssh.
CH: In addition to being a writer, you’re an actor, and have also made short films of your poems. Tell us a little about your experience as a performer of your own work. How has that experience shaped you?
KD: I really do feel that my poetry is best on the stage in theatre as part of a theatrical narrative, and I do have a theatre show called “Saying the wrong things” which I hope to tour one day. Through my performance I’m able to add another layer to the meaning to my poems. The drive to perform came naturally to me as part of my emancipation from my culture. There was a drive to perform and share my story. From there I built on this, adding film and theatre and getting some formal acting training. I’d like to do more, but, like I said, I do too much!
CH: How did cultural and religious repression become important themes in your work?
KD: I write poetry about what is happening for me, at when I started writing poetry I was repressed, and confused, and trying to break out, so these themes naturally emerged in my work.
CH: Tell us a little about what it’s like to be a poet in Australia. Is it easy to find audiences for your work as a poet? What has it been like to have a bestseller?
KD: Very interesting question. The Australian literary community is very small, and as such I have found it necessary to tour, mainly because I do speak my mind, my poetry is raw and confronting, and unapologetic, it doesn’t conform to traditional rules, and all this can be difficult for some to swallow. It hasn’t been easy which is why I’m thankful for travel support I have received from the Cypriot government which allows me to tour the world. Love and F—k Poems is a bestseller in the poetry genre in Australia, but most books don’t sell more than a few hundred copies. It’s been great selling in the thousands, but because of the content of the book, I felt the conservative literary community didn’t do enough to support it and shied away. However, the spoken word community have been supportive.
CH: How do you nourish yourself as a writer? As a performer?
KD: I go to spoken word events and listen to other poets. They often inspire me. I try to read when I can. Films also inspire me.
CH: Who are three poets whose work you admire?
KD: Hera Lindsay Bird, Sylvia Plath, Charles Bukowski.
CH: What is the most recent book of poetry you’ve read?
KD: Bukowski’s War All The Time.