Jason Edwards will be the featured reader Thursday, August 10, 2017 from 7:15 – 9:00 p.m. at BookWoman (5501 N. Lamar #A-105, Austin, TX),
Jason Edwards began his spoken word career in 1997 as a member of the Dallas Slam Team, which got the first perfect score for a group piece in slam history. Edwards performed in the national “SlamAmerica” tour, then formed the gay performance troupe “TriggerHappyJacks” with Ragan Fox.
At the peak of what was becoming a promising artistic career, Jason’s life unraveled when he lost his trans-sister in a tragic car accident at the same time as he had begun to experience the symptoms of schizophrenia. After a number of years of struggle, he began to re-emerge as an artist, recording an album with his partner in 2011. In 2015, he was featured as part of the 20th Anniversary of the Austin Slam, and last summer had the honor of opening for the U.S. Poet Laureate Juan Felipe Herrera.
CH: When did you first start getting interested in poetry? What is your first memory
JH: My first memory of poetry was my mother reading Shel Silverstein’s The Giving Tree and Sylvia Plath’s The Bed Book. I can’t remember not loving poetry and I started writing my own poetry in the 2nd grade.
CH: When did you first start thinking of yourself as a poet?
JH: I started thinking of myself as a poet in the 3rd grade when my favorite teacher told me I was a poet–Mrs. Richie. That teacher really mapped out my destiny.
CH: How did you become involved in the spoken word scene?
JH: I became interested in the spoken word scene in the early 90’s when I went to The Green Room in Deep Ellum in Dallas. I saw my first poetry reading there but I have been reading and performing since grade school to classmates and family and friends.
CH: What is your writing process like? Do you have particular times you like to write
or practices you do to get your creativity flowing?
JH: I feel writing is like channeling. I almost don’t feel responsible for my own poetry. I write when I feel inspired and I find life very inspiring.
CH: How do you nurture yourself as a writer?
JH: Art literature music the world all of it nurtures me.
CH: Please describe your education as a poet. Who are some poets whose work has
JH: I love the Beats and the Confessional poets, and I have a special place in my heart for Phillip Levine and Adrienne Rich.
CH: Tell us a little about your experience as part of a slam tem at the national
level, and about participating in SlamAmerica. How did those experiences shape your
JH: Seeing people like Patricia Smith and Saul Williams forever changed the direction of my poetry career, it was mind blowing. And performing in Austin for The National Poetry Slam in 98 at the beautiful Paramount Theater in finals in front of thousands of people was the most transportive experience of my life. As far as the SlamAmerica tour, it was wonderful and terrible because I had just lost my sister to a horrific car accident.
CH: Tell us a little about your work with TriggerHappyJacks. What did you take away
from that experience into your spoken word poetry?
JH: Being the artistic director for the TriggerHappyJacks was a true honor. I learned a lot about being creative in a group setting and a lot about the business of art.
CH: What is your relationship to poetry on the page? Do you see yourself releasing
poetry in a print medium?
JH: I find writing on the page to be very rewarding but my heart is in performing my work.
CH: What is the most recent book of poetry you’ve read / performance you attended?
JH: The last book of poetry I read was Closer by my close friend and mentor Christopher Soden. It was transcendent.